Final Score: Jazz 96, Bucks 87
The Utah Jazz defeated the Milwaukee Bucks in a battle between the two teams with the worst records in the NBA. Gordon Hayward led the Jazz with 22 points (on 8-16 shooting and 3-5 from behind the arc) while Derrick Favors scored 21 (on 9-16 shooting to go along with 11 rebounds and 4 steals). It marked only the second time in their 4-year Jazz careers that both Hayward and Favors scored 20-points or more in the same game. They were joined in double-figures by Alec Burks (13 pts), Trey Burke (11 pts), Enes Kanter (11 pts) and Diante Garrett (10 points) – signifying only the second game that the “Core-5” (Burke/Burks/Hayward/Favors/Kanter) all scored in double-figures in the same game.
Run It Back
Play of the Game: 3:18 4th-Qtr – Milwaukee had cut what was once a 14-point Utah lead to 3 late in the 4th when Alec Burks drove middle from the left-wing and converted a fingeroll over the outstretched arm of Larry Sanders. Utah’s offense was out-of-sorts against the Bucks’ 2-3 zone and Burks’ layup sparked a 10-2 Jazz run to seal the victory.
Player of the Game: Derrick Favors displayed his offensive diversity as he scored his 21 points on 9-16 shooting in a variety of ways. He shot 4-8 on post-ups, 3-4 on pick&rolls, 1-2 on offensive rebounds (he grabbed 3) and 1-2 on direct dishes/kickouts. After shooting 41.6% in his first 7 games, Favors has shot 55.1% in his last 26.
Best Shot: 0:45 3rd-Qtr – A Hayward/Kanter screen-roll collapsed Milaukee’s defense giving Diante Garrett an open top-of-the-key three off a crisp skip-pass by Gordon – which Garrett knocked down. Garrett played quite well in 5 of his first 7 games since joining the Jazz, then jockeyed with John Lucas for 2nd and 3rd PG in the rotation and has since resumed backup duties in the last two games. With 10 points on 4-5 shooting and 2-2 from behind the arc, it was Garrett’s highest scoring game as a pro (in my opinion his 7-point/8-assist game in Dallas is still his best game as a Jazz player).
Next week the Jazz will have to decide whether to waive Garrett or guarantee his contract for the remainder of the season. Garrett won’t blow anyone away with his playmaking or shooting (40%FG/36%3pt) but he’s a better option than John Lucas III (32%FG/32%FG) because he understands his strengths&weaknessess, plays within himself, has size, and defends fairly well.
Best Block: 5:14 4th-Qtr – Following a Burke turnover, the Bucks pushed the ball in transition but Gordon Hayward rejected Giannis Anteokounmpo’s layup at the rim – pinning the ball to the backboard. Anteokounmpo is a springy 6-9 athletic freak in the mold of a young Kirilenko or Iguodala – and Hayward got the better of him on this above-the-rim play. Hayward recorded 3 blocks giving him 12 over the past 7 games. Gordon’s shooting percentages have fluctuated all season but his all-around play remains a bright spot. Last night shooting efficiency was back on target last night, as he shot 3-7 on catch&shoot jumpers, 1-1 on off-the-dribble jumpers and 3-5 on halfcourt drives to the basket.
Best Jazzbasketball Play: 1:15 1st-Qtr – The Jazz got one of their easiest baskets of the night – a Diante Garrett layup – off a well-executed UCLA rub cut. The Jazz ran a few UCLA sets in the 1st-half, not many in comparison to pre-2011, but more than they’ve run throughout most of the 2013-14 season. As I’ll explain below, with so-so offensive production (still just 26th in the NBA) – running more well-executed UCLA sets could open up a much-needed avenue of high-percentage looks.
See A Different Game
The UCLA set was once a Jazzbasketball staple under the direction and orchestration of Jerry Sloan and Phil Johnson. Utah starts in a standard 1-4 set with a rub cut down the lane – where the ball-handler (normally the PG) initiates the play by passing to the wing before cutting down the lane.
With proper timing and accurate passing, this simple set can garner a layup against an average defense atleast 1-2 times per half – either from the initial cut or via multiple secondary options.
Here the Jazz run the same set three times against the Bucks in the 1st-half.
1. The first possession the initial rub cut results in an easy layup for Garrett.
2. The second possession the iniital cut didn’t net an open opportunity so the Jazz run through their entire set with the initiator (Burke) running through to set a backscreen for Hayward. The next read for both Burke and the high-post passer (Marvin) is dependent upon Burke’s man (#13 Ridnour). Here, you’ll see Ridnour momentarily help on the backscreen, keying Burke to fire out weakside behind Favors’ screen. Ridnour shoots the gap, and as Burke learns more of the nuances he’ll fade to the corner and get a wide-open 16-footer from the baseline. Nevertheless Burke wisely doesn’t force a jumper with Ridnour closing out, and proceeds to quickly get the ball inside to Favors – who is able to establish deep post-position due to the location of the screen he just set.
3. The third possession the Jazz should again have had a layup, but their timing is just a tad off. Favors doesn’t get a solid initial screen on Burke’s rub cut, but Burke sets a terrific screen for Jefferson who should have a layup springing free, but Favors is a split-second late with his pass. Instead of RJ catching the ball at the rim so he can go straight-up for a layup, the pass leads him through the lane all the way over to the left block. RJ posts up and the Jazz eventually get a Hayward three out of it, but that’s not an option you want to rely on.
Even with so-so execution, you can see just a few of the multiple options this basic set provides. Not only do you get all the weakside options having the cutter run through, you can put a playmaker on the wing so after the rub cut, instead of passing to the high-post you turn it into a quick side pick&roll. The Jazz often did this with Deron Williams on the wing and Andrei Kirilenko initiating. Similar to how the Spurs screen for their screener to setup their high screen-roll, the initial rub-cut momentarily occupies the screener’s man giving the Jazz another advantage getting into side pick&roll.
Furthermore, this set can also trigger more of what Utah used to call their “auto” set and vaunted flex offense, where you pass to the wing but instead of the initiator cutting down the lane, he “bounces” back off the screen to receive the pass at the top-of-the-key for a quick ball-reversal where you have a weakside pindown (i.e. the automatic Korver/Harpring mid-range jumper). And if that doesn’t produce an open look, you have another weakside pindown with the guard screening for the bigman to come up to the elbow (often Okur) for another ball-reversal back to side of the floor the play originated on.
Considering the Jazz so rarely run this set anymore, it’s certainly understandable that their timing and execution won’t be crisp and they haven’t put in all the options and variations – but last night did provide some examples of the high-percentage looks Utah can get from this oldie but goodie.
Odds and Ends
- The announced attendance of 16,012 represents the 4th-smallest crowd in the 23-year history of the Delta Center/Energy Solutions Arena.
- The Jazz have now set the 4 of the 5 lowest DC/ESA attendance marks this season.
- From Salt Lake Tribune beat writer Aaron Falk, the Bucks haven’t beaten the Jazz in Utah since October 30, 2001. That game was opening night and the Jazz lost in overtime on a night the overriding theme was the remembrance of 9/11 – that included this moving pregame ceremony featuring the Mormon Tabernacle Choir.
The Final Word
The Bucks are a dreadful team with the worst-talent base in the league. As a team Utah’s level of play wasn’t great (as evidenced by a 1-possession game with 3:30 remaining) but the Jazz did take care of business at home against a team they had no excuse to lose to.
While veteran starters Richard Jefferson and Marvin Williams both struggled (combining for just 6 points on 2-10 shooting), Utah’s young core provided the scoring punch with 78 of their 96 points (81%) coming from Burke, Burks, Hayward, Favors and Kanter. That talented fivesome is still yet to see the floor together at the same time (just 15-minutes in the entire season), but last night they all provided the scoring punch.
Aside from the “Kanter PT = 48 – Favors’ PT” and “Favors PT = 48 – Kanter’s PT” forumlas the Jazz appear to be adhering to, I feel surprisingly good about last night’s win. Beating a team you’re supposed to beat may not be an impressive accomplishment, but it’s a scenario the Jazz have rarely found themselves in this season. Seeing the future of the team succeed while still having the opportunity to play through new experiences is what I hope the 2013-14 season is ultimately about, as opposed to resurrecting the careers of soon-to-be veteran free agents.